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​Do you love indie films? Do you especially enjoy Retro Horror, Horror Comedies, Thrillers, Anthologies, and good ole' fashioned Halloween themed fright flicks? Do you enjoy supporting films made by fans for fans? Than this is the place for YOU! Check out our DVDs, Blu-rays, Posters, Toys, Games and Gore Galore! As we continue to distribute new films this will be the hub to support all the content we have to offer. The best part is that when you buy directly from this site the proceeds actually go back to the filmmakers to help with funding for future films. 

Scott Wampler™ ✔ @ScottWamplerBMD
 · Aug 27, 2018My #1 question about SCARY STORIES TO TELL IN THE DARK: are they going to try to preserve the look of Stephen Gammell's legendary illustrations for the various creature designs in the film? I do not expect @RealGDT to answer this.
Guillermo del Toro ✔ @RealGDT
Yes.
9:54 AM - Aug 27, 2018

We may be no closer to that Beetlejuice sequel finally becoming reality, but the beloved characters will at least be returning in a musical that’s headed to Broadway early next year. Deadline reports today that the musical will arrive in March 2019 at the Winter Garden Theatre, with the official opening set to follow in April.
The site adds, “The new musical, based on Tim Burton’s 1988 movie, will have its pre-Broadway world premiere at the National Theatre in Washington D.C., with previews beginning Sunday, October 14 and opening on Sunday, November 4.”
Directed by Alex Timbers, with a score by Eddie Perfect, book by Scott Brown & Anthony King and choreography by Connor Gallagher, the pre-Broadway engagement stars Alex Brightman and Sophia Anne Caruso as the title character and Lydia Deetz, respectively.
Beetlejuice tells the story of Lydia Deetz, a strange teenager obsessed with the whole “being dead thing.” When Lydia calls on a degenerate demon to scare away her insufferable parents, Beetlejuice comes up with a plan involving exorcism, arranged marriages and an adorable girl scout who gets scared out of her wits.
By Josh Squires for Bloody Disgusting

Going to watch a little Rob Zombie Halloween tonight!

“Feud: Bette and Joan,” about the combustible, alchemic collaboration between Bette Davis and Joan Crawford in “What Ever Happened to Baby Jane?,” is a love letter to hate.
More precisely, “Feud” is about how a complicated mix of emotions mushed together as hate — desire, envy, fear — can be both toxic and creatively energizing. It’s about how Hollywood creates a catfight narrative between two women and sells tickets to it. It’s about hate as a commodity, a product, a shameful meal plated under a silver dome.
“Feud,” with blunt writing but exquisite performances, recreates that dish, critiques it and eats it with relish.

The worst thing you can say about creepy-kid horror thriller "Hellions" is that there should be more where it came from. You have to temper your expectations to enjoy a film of this small-scale and ambition to appreciate what director Bruce McDonald ("Pontypool," "The Tracey Fragments") has accomplished here. "Hellions," a "Rosemary's Baby"-meets-"Children of the Corn"-style, what-to-dread-when-you're-expecting chiller, would make a perfect B-movie. McDonald focuses on unnerving ambience over plot, and crafts an effective horror movie that's also basically a home invasion thriller where the home invaders in question are creepy, murderous trick-or-treaters and the home-owner is a pregnant 17-year-old.  Roger Ebert 2.5 stars


​I'm ok with "unnerving ambience over plot".  Give me a good "B" movie any day.